From John Ford’s “Fort Apache” (1948).
Posts Tagged ‘John Ford’
Quite a schedule TCM’s got lined up for this afternoon and evening. First, a quartet of B-westerns starring John Wayne (this is already underway so forgive me if I decline to provide titles and times), leading up to the Duke’s breakthrough role in John Ford’s “Stagecoach” (1939), which will be on at 5. (If you can’t wait until then or if you anticipate getting stuck in traffic on your way home from work, you might want to rent or otherwise procure Criterion’s new “Stagecoach” two-disc set, which is now available at Four Star Video Heaven. All signs point to it being seriously great.)
Following “Stagecoach” at 7 is Fred Zinneman’s “From Here to Eternity” (1953), which I’ve never seen but you probably have. The synopsis on TCM’s website makes the film sound kinda bloated, overly star-powered and facilely sentimental—but again, I haven’t seen it.
What I’d be more inclined to watch is Ford’s “They Were Expendable” (1945), starring Wayne alongside Robert Montgomery and Donna Reed (who’s also in “From Here to Eternity”). “They Were Expendable” begins at 9:15. I’m sure it’ll be all kinds of macho, patriotic and poetic.
Two Ford films in such a short span of time is hardly anything to be mad at.
Spring break is rapidly approaching and UW students are gettin’ ready to head for the hills. Some of us have cleared our last few academic hurdles, earning the right to enjoy 8 days of R&R or, in my case, coffee and I-90.
But wait! There’s still some cinematic activity on campus that you might want to consider checking out before you depart for Cancun or Daytona or wherever. (Just try not to go home—there’s no there there.)
On Thursday night at 7:30 the Cinematheque is hosting a talk with Joseph McBride, author of several biographies of canonical filmmakers (Steven Spielberg, Howard Hawks, Frank Capra, Orson Welles), the most pertinent of which is 2001’s Searching for John Ford. Here’s a link to Jonathan Rosenbaum’s rave review, which I seriously recommend reading.
According to the Cinematheque’s website, McBride is going to lecture “about the ways biographical research can inform our understanding of films”; his discourse will lead into the Cinematheque’s screening of Ford’s final film, “7 Women” (1966), on Friday night at 7:30. For us armchair film historians, this is something of a big deal. It’s a crying shame that so many of us will be on the road and unable to take advantage of such a rare opportunity (“7 Women” is currently unavailable on DVD).